HIP HOP ICON SERIES

Play

Play

Kid ‘N’ Play Albums:

  • House Party 3 Soundtrack 3 (1994)
  • Face the Nation (1991)
  • House Party 2 Soundtrack (1991)
  • Kid N Play’s Funhouse (1990)
  • House Party Soundtrack (1990)
  • 2 Hype (1988)
  • If you open your Hip hop History books up to the chapter on what was fresh in the late 80s-early 90s you would find a picture of Kid ‘N’ Play doing the kick step and Salt N Pepa and Heavy D lamping in the background at the Apollo. This was the era where hip hop really started exploding onto the mainstream and artists started crossing over to the dismay of many hip hop purists. Kid ‘N’ Play did their part to make hip hop more accessible with joints like “Ain’t Gonna Hurt Nobody” and “Rollin’ With Kid ‘N’ Play,” coordinated dance moves and the successful House Party movie series. They were the first hip hop cats to even have their own cartoon! As you can tell by now Play was the one without the high top fade. He was the smooth brother from Queens, NY who always left with the ladies and continuously got Kid in trouble. After many years in the limelight Play a.k.a. Christopher Martin has chosen a different path, devoting his life to god and taking a behind the scenes approach to music. He took his vast industry experience and founded HP4Digital Works, a multimedia company that provides pre and post production for film, digital and live theater productions. Check below for an interview with one of the cats who really put fun into hip hop back in the day and find out what drives him now and what projects he has in the works.

    Halftime: How would you compare the music back then when you were creating it to today?

    Play: Well I definitely think track wise the quality of the music is better because that’s what is supposed to happen as you move on, innovate and get better. A lot of cats that are choosing to bow out are not giving passion or commitment that they once did because they feel as though the motives and inspirations for today’s music isn’t what it used to be in regards to the love culture and the gift itself. It’s all money driven and I believe they have a point there. So as far as the music itself it’s definitely better but as far as the total package it seems to be diluted.

    To me you guys were like the last bastion of hiphop where you could actually dance to it. Now everybody seems to just want to stand around and nod they head. What happened to dancing?

    Play: I believe music along with everything else in this world goes through its phases. When people seemed to be enamored with the whole gangsta thing I don’t think it was because the whole world wanted to be gangsters. I think it was because it was refreshing to the ear and it was something different and that’s how music and everything runs its course. When things are redundant, repetitious or boring you’re thirsty for something new no matter what sacrifice is as far as morals. With this case right here I think if you live long enough it will come around again, but sometimes things fizzle out because everybody can’t do it. The main reason rap became as big as it has is because everybody is not a good singer. Same with dancers, the ones that wanted to do the gangster thing probably weren’t good dancers. So they’re like lets take what we know how to do and make that the thing. Sometimes it’s as simple as that.

    When you first started out what got you interested in hiphop?

    Play: What got me involved in it as an actual artist was girls. I wanted to get into their pants. It was my understanding that girls liked guys who did big things so I was part of doing big things. That ended up turning into something a lot more meaningful because like I said not a lot of people can sing so they can relate to people who can rap and you come closer to be able to do that. The thing I really appreciated about it is how it really touched my generation and what was going on inside of me. Not everybody did it but there were some of others more deserving of the title icon that I felt spoke. It was just so amazing how they were able to transform what was inside themselves and inside of all of us and be able to put it on paper, wax, cassette or CD.

    How did you get down with your first group?

    Play: I forgot the first group but the one that was most memorable was Quicksilver and the Super Lovers back in Queens in East Elmhurst. Our whole theme was this legendary god of the turntables who was able to bring up the legendary lovers of the past. My full stage name was Playboy. Everybody that got close to me just called me Play and that just caught on. We had Romeo, Prince Charming, Herbie the Luv Bug, all these different people with these legendary lovers’ names and we said if you were looking for the ultimate lover this is who you see. Then as life moved on, cats had to get jobs. Kid was part of a different group called The Turnout Brothers and a lot of his members went and got regular jobs and him and me were the only two left standing. His full stage name was The Kid Coolout and everybody close to him called him Kid for short so then you had Kid N’ Play.

    I’m sure his crew had a different focus. Did you think at first like man this ain’t gonna work out your style is over here and I’m over there or did you immediately click?

    Play: Nah, never because we were always family. The DJ is his group was the brother of one of the rappers in my group. We were always a close-knit bunch and had friendly competitions and all that so when that idea came up we didn’t even think that seriously about it.

    This is one question I’ve wanted to ask you since like sixth grade. What sparked you to be like I’m dancing and I’m just going to jump over my leg and it’s gonna be hot?!

    Play: It came from dancers we had. We always wanted to do a big show. We were very closely associated with and came up the ranks with Salt N Pepa and that’s why our shows were similar to theirs. We always had dancers behind us but unfortunately at that particular time, which worked out for the best, unlike Salt n Pepa who had more money than we had we couldn’t afford to take our dancers on the road so we had to consolidate it. Even the kick step was something the dancers did when we had them behind us. Salt N Pepa had male dancers behind them and we had female dancers behind us.

    I sprained my wrist trying to do that move.

    Play: I heard that went on quite a bit. Of course the secret is practice but it had a lot to do with the shoes you had on and a lot of people didn’t know that. We wouldn’t even really try it with anything else. From time to time it would be ok but it was the Nike Cortex sneakers. It was like having bedroom slippers on your feet. If anyone was trying with the Adidas or other Nikes the sole was too big and it was hard for you to really do what you had to do because of all the extra rubber on the heel at the bottom. So that was the trick.

    To me when you guys came out with House Party you changed the game. We did an interview with Jazzy Jeff and he said the movie was originally for him and the Fresh Prince. How did it land in your hands?

    Play: Yea it was. It was inspired by Groove B. Chill, you know the cats that kept bumping into the turntables. They and the writers all went to high school together so it was inspired by them. When they were looking for people to play the parts they wanted Kid and I to do it but New Line Cinema wanted Fresh Prince and Jazzy Jeff to do it because they were more known. Fresh Prince and them turned it down because New Line Cinema had a lot of nerve because at the same time they were suing them for that record “Nightmare on My Street.” That’s why they turned it down. So it didn’t work out and we did our little crazy thing playing by the rules and auditioning and it happened.

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