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AZ

Why did you call the label Quiet Money?

AZ: I was brought up to believe real bad boys move in silence and that silence is golden; that’s why the label is called Quiet Money. The real people who succeeded in this world and were making moves back in the days just did it. Quiet Money is what I’m living by.

How did you get the deal with Koch to set up the distribution?

AZ: When I got off Motown there were a few cats who wanted to sign me but I couldn’t go that route again. I really needed to test the independent waters and I guess everybody was just falling back off that. Koch was more or less like “we’ll fuck with you.” They wanted to lock me in but I was like “nah, I can’t do that.” I’ll do one album and see how it goes down.

Since your last album you have been on the low. What are some things that have been keeping you busy between the last album and the current joint you’re putting out?

AZ: I shot a movie in Detroit called “Envy” with Ray J, Lisa Raye, and Maia Campbell. It’s some gangsta shit. Ray J is my little cousin in the movie. I was dealing drugs and I’m trying to get out the game but he is following in my footsteps for so long he wanted to take over so I let him take over. But I had some cats with me like “we been your peoples since you started why you gonna give the whole shit to him.” It’s kinda like “Belly” because at the end of the day when the movie is over nobody, really wins. I was shooting a movie, then I started working on the album. I got my little son and I’ve just been chillin.

I read in a recent interview of yours that at one point you were kinda estranged from everyone else and going through your own world. What was really going on at that point in your life that separated you from a lot of heads?

AZ: Everybody was just growing up going through what they was going through. Around that time I was still trying to find a home. I had four albums out and each album was on a different fucking label. So searching for the label and building those relationships and of course everybody got a lady so you going through that world dealing with your wisdom. Everybody want to get married and shit trying to box a nigga in and it’s like “yo, hold up!” I’m trying to get my paper right so it’s a lot of shit. I’m still poppin’ in and out of the hood so I gotta hear the stories of family getting locked up or niggas getting shot at. The basic shit. So it was just growing and learning how to digest all of that and keep your head. That’s what I was going through.

Are you gonna be on the next Nas album, “Streets Disciple”?

AZ: Me and him did a joint last month. It’s crazy, but knowing Nas, he do thirty to thirty-five records and then he picks them. I just do it and I don’t really be stressing it. If he put it on the album that’s good, if not I know we’ll do something soon. But we did something for his album already.

What method do you and Nas use when y’all come up with your songs? Does somebody call up with an idea?

AZ: Nah, nah we just lock in that shit is natural for us. We just go, we don’t even talk about it. We’re just like “oh we fucking with that beat? Aight let’s write” and that shit gets done same day, same hour. With me and him it’s just that magic. That’s the only nigga I know where with me and him it’s just automatic.

So when does your album drop?

AZ: August 24th “Final Call” on Quiet Money Records. This is a big move for me. I appreciate y’all holding me down for real because I be wondering why niggas not recognizing like “yo I’m one of the top ten too.” That’s how I feel.

I think Prince Paul put it best when he said the music out today is like fast food. They eat it and it doesn’t even stay in their system. So it’s like if you’re not constantly in fans faces they forget about you real fast. I don’t know how you can win over this audience because the scene has changed so much. If I were you I’d be pretty frustrated with the game.

AZ: I got so much love for the game. My paper’s right, I’m chilling so I’m gonna do it regardless. I never got frustrated throughout my whole career with nothing. I take everything with a grain of sort because I know that anything that could happen would happen. I just swallow it like that’s how it is. I ain’t no crybaby. If I gotta do a whole bunch of time, it’s like “let me suck it out and knock out this twenty-five.” That’s how I am. So I never stressed it but I know if I keep on they are gonna recognize in a minute. They have no choice.

Looking at the game right now with this album dropping: where do you see your position?

The game is growing so much. Everybody has their story to tell. The Midwest has their story to tell, the west coast and down south got a story to tell. We in New York had it going for a long time so I’m never mad when another coast is eating because it’s what we all represent anyway. There are a few brothers like Jadakiss and Fat Joe that’s really bringing back over here and I think that with my album, I’m going to just add onto that.

Was there anything that you tried on this album that may surprise anyone?

AZ: Yeah, the joint I did with Tony Sunshine called “Talkin’ Gangsta.” It’s got a little Spanish beat and I’m just venting on it. It’s different for me. The flow ain’t switched up but the music is switched up and I’m just kicking it letting ‘em know the Latin side of me.

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