HIP HOP ICON SERIES

AZ

Everything I read about you will always have you interconnected with Nas. How did you first meet up with him because we have heard various rumors? I heard one rumor that Nas was planning to try to rob you but then you got cool and everything was chill. Is any of that true?

AZ: Haha, hell no! How we met was at the time I knew a few cats from Brooklyn who knew a few cats from Queens and everybody used to get on the phone and rap and shit. It was at least six of us and the shit he was spitting I was like wow that’s just like the shit I was going for and he felt the same way. I was like I dig ya style. So everybody exchanged numbers and here and there he’d holla at me like my brother just got locked up and I’m like word my cousin just got locked up or my man just got killed and he’d be like word my man just got killed. So when he started working on Illmatic he was like come through the studio so I went through and I think he was doing Halftime. I heard it, I was like ok no doubt, that’s when he threw in that Life’s a Bitch beat, and I was fucking with it. He was like oh shit that sounds tight hop on that. I was like aiight we did it and it just went down like that. Nothing was even planned.

When “Life’s a Bitch” came out I remember people saying that was one of their favorites off of Illmatic.

AZ: Shit, to me that album was crazy. I felt like people weren’t going to like it to be honest. I was like damn they not even gonna like my shit because I listened to his album and I was like wow. By that time son was crazy with it. When they caught onto it, I was like wow there must be a spot here for me or something.

Your verse on there is pretty much legendary.

AZ: That’s real but I felt like Nas was that nigga spittin’ that shit like The World is Yours and all that and when it caught on it got me by surprise.

What’s really the story behind that verse and cats want to know how did that day really even go about when you recorded that joint?

AZ: I been had that verse premeditated because my man Poe had just got killed and another close friend of mine had gotten killed. A lot of niggas were dropping around me and I really wrote that sixteen or twenty bars out of emotion. I used to say in my head ‘Life’s a bitch and then you die.’ I got to the studio and when L.E.S started playing that record I was strong with it. I wasn’t even supposed to be on it, that was something for Nas to do. I wasn’t really even thinking about getting on his album. I didn’t really give a fuck about that, that wasn’t even my zone at the time. I just came to show homie some love, I was just fucking with it, and they was like spit that shit.

Did he follow your lead after that with the concept?

AZ: Yea he had to. He took it home for a couple of days for that one because that one was right on the money. It was one take too. I did that shit in like fifteen seconds.

I always like how you just be kicking the shit before a song starts and you and Nas be talking.

AZ: I used to think niggas didn’t like that and I was skeptical about doing shit like that. Now I’m like fuck it I don’t give a fuck. I’m doing that a lot on this album too because that’s the only way you get to express yourself.

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